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Design-Your-Own Dress Recipe - free download now
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Who? What? eh?

This is the blog of a constant crafter - a 'showcase' for some of the things I make, some hints for crafting & recylcing - lots of photos and some words. I hope it will inspire.
Please Note: all photos are Copyright.

My Blythe Dolls have their own blog where they are showing lots of photos from our holiday in France - it is here.


Thursday, 24 November 2016

Environmental Footprint of Various Fibres used in Clothing - Part 2

Part 2 -  B & C of this alphabetical list;  An attempt at a cradle-to-grave, un-biased evaluation of most of the fibres used in our clothing & crafting.  

Firstly to repeat a couple of important things (for more, please see my previous post):
1.  When it comes to clothing - it isn't easy being green ...
2.  A great deal of the environmental impact of our clothing lies with the end user - that's you & me.  The person who buys, wears, washes, irons (?) mends, re-purposes, and ultimately decides when and how that garment is disposed of.  

Listing is alphabetical and it'll go over several posts
I will update it as I discover more information
I'm Australian
I knit a lot (so I'll look at fibres often made into yarns but perhaps not so often found in commercial clothing)
I've tried to cover all aspects 'from cradle to grave'.  

And a little side thought here because some of the fibres in this part of the alphabet are expensive / aspirational and this started me thinking along these lines...
From an Environmental point of view the purchase of one lovely garment, made from a gorgeous fibre, that makes us feel good and that stays in the wardrobe and is worn for decades - that purchase is definitely better for the environment (and ultimately better for our bank balance) than the constant purchasing of cheap garments from fibre that doesn't last, looks awful in a short period of time and goes into land-fill very quickly.



Bamboo - a type of Rayon using bamboo as the source of the cellulose ... please see Rayon when I get there in this alphabetical list.

Bemsilk - An Acetate - the most commonly used fabric for lining garments ... See Acetate in Part 1

Bemberg - a Cuprammonium Rayon ... please see below.

Banana, Banana Silk  - you'll only get dietary fibre from the fruit - this comes from the stalks.  Bananas are not trees, what looks like a trunk is really the tightly packed sheaths (bottom part) of the leaves.
After the bananas are harvested the plant normally dies so using the stalks to make fibre is a bonus.
Manufacture
The stalks are stripped and then boiled in an alkaline to soften and seperate the fibres.  The very coarse fibres can be used for baskets, floor mats etc - less coarse for soft furnishings - the finest is spun for yarn and clothing and it has a natural sheen.
Banana fibre is not often found in our clothing shops but about a decade ago there was a fad for unusual fibres in knitting yarns and I have knitted with a 'banana silk' yarn - it was very shiny and felt nice.  I'm not sure how well it stood up to washing and wearing as the garment was gifted.

Camel Hair - we can dream!  This is expensive stuff.
Surely one of the world's oddest looking creatures!

From the Bactrian Camel (2 humps) and Wikipedia lists Australia as being a significant supplier - I'm guessing that would be from  feral camels.
Camels molt every spring, so hair can be collected by hand - there are coarse guard hairs and the highly desirable soft undercoat.
Has lovely natural colour so often used undyed but it takes dyestuff well.
Camel hair is very warm and it lasts well.   Often blended with sheep's wool and usually used for coats.


Cashmere buck (male) with impressive horns

Cashmere - another luxury fibre - this one comes from the Cashmere goat & they originally came from Kashmir.  There are several cashmere farms in Australia and even our own breed.
Some sources of information say that only the neck hair is used and some breeds don't seem to have much 'body hair'  but other breeds (such as the Australian Cashmere) are furry allover - so I'm uncertain about this.
In some places the hair is combed out when the goats have their annual molt - in other places the goats are shorn ... again perhaps this depends on the breed.  Cashmere goats are small animals so yield is small and I guess that is why the fibre is expensive.
Processing
As with many animals, cashmeres have a double coat - the soft undercoat and the much courser guard hair - which has to be mechanically removed.  Then the soft undercoat can be dyed, spun and made into lovely things.
I have knitted with commercially spun cashmere yarn and I have hand-spun some cashmere too - it is so soft ... like spinning clouds.

Cotton - Humans have been wearing cotton for 1,000s of years and many of our modern clothes are made it - cotton accounts for about 30% of the world's textile market.
Back in the 1980s cotton got a lot of press saying that is Natural (and therefore Good) - nowadays we are more likely to hear all about the environmental impact of growing cotton ... an interesting example of how our perceptions of a product are altered.  Both things are true - and both focus on only one part of the story.
What is it?
Most commercially grown cotton is Gossypium hirsutum, first developed by the Mayan civilisation in Mexico.  Botanically it belongs to the family Malvaceae or Mallows and some of cotton's relatives are: okra, cacao (the plant we get chocolate from), hibiscus and hollyhocks.
Audrey, a Simply Chocolate Blythe,
wearing a cotton shirt and posing with a hollyhock flower 
The cotton boll (that's the bit we use) is a protective case that grows around the seeds - and that fibre is almost pure cellulose.  
Producing / Growing it
This info is mostly from Cotton Australia's web site - so it is Oz-centric.
In 2014 Australia produced 501,000 metric tonnes of cotton, most is grown in southern Queensland and in NSW, from the Qld border down the Darling in the West and the Murrumbidgee in the South.  Most processes for planting, harvesting etc are mechanised - but less so in some of the poorer countries where cotton is produced.
Now there are a lot of scary stats out there - 'to make enough cotton for 1 T-shirt takes 2,700 litres of water and 1.5kg of pesticide and fertiliser'   'for 1kg of cotton (enough for a T-shirt and a pair of jeans) it'll take more that 20,000 litres of water'  'cotton production ... accounts for 10 to 16% of the world's pesticides (incl. herbicides, insecticides & defoliants'  [the last quote from here]
All the numbers aside - it seems that cotton is thirsty, needs good soil or fertilisers and is prone to pests and diseases.
Processing it
The mechanically harvested cotton is pressed into huge blocks and taken to a cotton gin where the seeds and trash are separated out.  (We export the cottonseed to Asia & America for cattle feed.)  The fluffy lint gets pressed into bales, Australian bales are 227kg and the bale covers are made from cotton knit fabric to minimise contamination - the cotton gets a cotton T-shirt of its own ;-)   The cotton is classed and then almost all is sold to spinning mills overseas - mostly in Sth East Asia and China - China being our biggest customer.  In the mills the cotton is combed, carded and spun - it is then woven or knitted into fabric.  Cotton is often blended with other fibres.
Dyeing
Cotton is usually dyed at the yarn or fabric stage - cotton is a bit dye resistant and it takes a lot of dyestuff to make cotton a dark or strong colour.  Seems those cool black jeans and groovy black T-shirt are not very 'green' - cotton also fades rather quickly.
Modern dyes are a mix of many chemicals (even natural dyeing with leaves & things often requires a chemical mordant) and the run-off from dyeing textiles is an environmental concern.  There are many reports of rivers turning strange colours and all the fish dying.
naturally coloured cottons (undyed)
Interestingly, there are naturally coloured varieties of cotton - reds, yellow, browns, green ... perhaps we should use more of those!

Only now can the cotton be made into clothing - the denim into jeans, the chambray into shirts, the interlock into T-shirts etc etc.   Most of the clothes in Australian shops are sewn in China, Sth East Asia, Pakistan, India, Bangladesh ... places with cheap labour because sewing garments is labour intensive but it takes skill - most garments are sewn by women.  Some garment factories are quite exploitative - let's not forget the collapse of the Rana Plaza - over 1,100 people died, most were working in the 5 garment factories in the plaza complex and would've been earning about $1.25 a day.
And then the cotton does some more travelling to our shops and perhaps our wardrobes.
How should we look after it?
These days we've 'fast fashion' and cheap clothing - much of it made of cotton or cotton blends - so the question is almost 'why should we bother looking after it?'  But that cheapness doesn't reflect the environmental cost - doesn't honour the skilled labour of the (mostly) women who sewed the clothes and it probably won't last.  I hope eventually, to do a post (or 2) focusing on the care of clothing but a few quick words here.  Consider washing clothes less often - if it isn't smelly or visibly dirty, perhaps you could wear it again.  Use fewer chemicals in the washing machine ... do we really need fancy enzymes to clean our clothes?  Use less washing powder and don't use fabric softener (it damages fibre).  Don't tumble dry.  Mend and recycle.  
Other thoughts 
Cotton can absorb up to 27 times its own weight in water and the fibre is actually stronger when wet.  Cotton is a really useful fibre - perhaps that's why we've been using and wearing it for so long.  All parts of the cotton plant are used - the seeds are used to make oil or animal feed, the linters (waste parts of the boll) can be used to make other fabrics (see Acetate) or things like cotton balls, the plant itself is usually mulched. 
Burning
Cotton will burn like paper, blended cotton fabrics may behave differently.
What happens to it when it does go to land-fill? - the Grave
Cotton is natural and biodegrades well.



Organic Cotton
So - we can't imagine life without cotton but the environmental cost bothers us - is organic cotton the answer?
What does that 'organic' label mean?
It should mean that the cotton was grown from non-genetically modified plants, without the use of synthetic agro chemicals.  But then there is the processing and all those travel miles done by cotton grown here, processed and turned into garments somewhere in Asia (usually) and then shipped back to Australia.  It isn't easy being green!!!  However, products that use less of our planet's resources and properly regulated labelling (so that we can understand and trust it) ... that has to be a good thing.

Cuprammonium Rayon (also labeled Bemberg, Cupro, Cupra, Ammonia Silk )  - I'll look at Rayon more when I get to R in this alphabetical list but a quick look at this form of rayon because personally I find it rather alarming and try to avoid buying it.
So What is it?
Cuprammonium Rayon is made from cellulose (from plants like all the other rayons) dissolved in a solution of copper & ammonia, that solution gets mixed with caustic soda before being extruded into filaments - it is then hardened, most of the copper & the ammonia is removed and the caustic soda neutralised.  The main concern is if (when?) that copper ends up in the waste water system.
Cuprammonium rayon is no longer produced in the US due to the environmental effects - but other countries have less stringent regulations.
Where do we find it?
I'm not sure how precise garment labelling is but look out for the words listed above - fabric content labels are usually sewn into the left-hand side seam.  If you sew your own clothes, keep those names in mind is you plan to avoid Cuprammonium Rayon - about 10yrs ago I found Cupro on the label in the packaging of a new card of lace trim.

Tuesday, 22 November 2016

Environmental Footprint of Various Fibres used in Clothing - Part 1

I could be opening a can of worms with this post and setting the cat amongst the pigeons ... if you know something that I don't, or if I've left something out, please comment but - keep in mind that I do moderate the comments and if your comment is immoderate I'll simply delete it.

So why am I doing this?  because it is something I am passionate about and a subject that keeps coming up when I am teaching - I teach various crafts, 'make do & mend' and up-cycling classes.  And because it is so easy to get misled by all the mis-information, muddled information and advertising out there.  I am not being paid to do this.  My sources of income are rather various (such a modern woman am I! ) and in the interests of impartiality I should disclose that some of those classes I mentioned are for Morris & Sons who do have home-brand yarns ... but those yarns are of many different fibres processed in various countries.  I don't think I can be accused of bias towards any one particular fibre.  I do have personal opinions (don't we all? ) I'll try to make it clear when I'm airing a very personal viewpoint.

So what makes me think I know something about all this & have any right to do this?  Firstly, I've spent a great deal of time trying to find sensible, un-biased information about the fibres we wear.  It's not easy!  I use fibre a lot - I make a variety of mostly fibre & fabricy things and have done so for over 40 decades - and doesn't that make me feel old!  Perhaps I can put together a cradle-to-grave evaluation of most of the fibres used in our clothing and present something impartial, not too scientific and not too boring.

But before I start - 2 observations.

1.  When it comes to clothing - it isn't easy being green ...

2.  A great deal of the environmental impact of our clothing lies with the end user - that's you & me.  The person who buys, wears, washes, irons (?) mends, re-purposes, and ultimately decides when and how that garment is disposed of.  But all that belongs to another post ... perhaps I'll be brave enough to do that one too.

Listing is alphabetical and because it is going to be much longer than I initially hoped - it'll go over several posts
I will update it as I discover more information (this will be a learning curve for me)
I'm Australian
I knit a lot (so I'll look at fibres often made into yarns but perhaps not so often found in commercial clothing)
I've tried to cover all aspects 'from cradle to grave'.


Acetate (might be labeled Celanese, Avisco, Bemsilk) - Acetate / Cellulose Acetate used to be considered of form of Rayon but they are now listed separately.
What is it?
A semi-synthetic - it starts with plant material (usually wood pulp or cotton linters (waste from milling)) but is then processed with chemicals ...
Acetate has a long history dating back to 1865 and the uses for forms of cellulose acetate are amazingly various.  Some of these are historical, some are quite current: photographic film, filters in cigarettes, lacquer (aka dope) to stiffen the fabric of early aeroplanes, magnetic tape for computers, glasses frames, fibre tipped pens (textas etc),  high absorbency products (disposable baby nappies, feminine hygiene, surgical products),  playing cards, the original Lego bricks were made of it (till 1963), toys & model animals, award ribbons ... all those sashes for Miss World & Miss Universe & for all the other Best in Shows ...

Manufacturing - the Cradle
This will get a bit scientific and I'm not a scientist but I think that basically the plant material is deconstructed into a cellulose by using acetic acid (vinegar is 3-9% acetic acid), acetic anhydride and sulfiric acid.  That sulphate is removed with water then the cellulose gets dissolved in acetone (nail polish remover) to make a viscous resin which can be extruded into fine cellulose acetate fibres.
Dyeability
Acetate needs a disperse dye but it takes to colour well and should be quite colourfast.
What is it used for?  Where will we find it in our wardrobes?
Often used for lining garments - sold under the name Bemsilk in the fabric shops.  It has a nice shine so is often used for satins, taffetas etc in bridal and evening wear.  Is also used blended with other fibres.
How should we look after it?
Acetate is resistant to mold & mildew (a bonus in Sydney).  But Acetate doesn't take well to heat - so never tumble dry and take care when / if ironing.  It loses strength when wet and dry-cleaning is recommended.  It doesn't like abrasion so avoid rubbing.  May be damaged by some of the things in perfumes - is damaged by nail polish remover.  So if you get nail polish or super glue on acetate don't use nail polish remover as you might dissolve the fabric.  Best to embroider or appliqué something over the top!
Concerns & Bonuses
Made from renewable resource and/or cotton waste ... but let us hope that those trees are replanted.  In the past the chemicals used often went into the waste water system ... let's hope that no longer happens everywhere that Acetate is being produced.
Burning 
Acetate burns like paper ... it is processed cellulose.
What happens to it when it does go to land-fill? - the Grave
Acetate biodegrades well.

Acrylic 
What is it?
Synthetic / man made - a polymer / plastic.  Strange words here - acrylonitrile (aka vinyl cyanide) monomer, vinyl acetate or methyl acrylate comonomer.  DuPont made the first acrylic fibres in 1941.
Manufacturing - the Cradle
As with most plastics, there are environmental concerns in their manufacture  (google those strange words & see below)
What is it used for?  Where will we find it in our wardrobes?
Acrylic is used as an artificial wool - it is manufactured as a filament that is cut into short staple lengths (to imitate wool) and then spun into yarn for hand knitting / crochet and for commercial knit-wear.
On the positive: it is cheap, it survives careless washing (hot water and strong detergents) better than sheep's wool.
On the negative: those chopped lengths can pill badly, and personally - as a hand knitter I don't like using acrylic yarn - it feels like plastic.
Acrylic is also used in home furnishings, wigs and fake fur.
Acrylicus Fakus :-)
{aside: I've been yelled at by animal rights types when wearing (very obviously) fake fur and I have enjoyed yelling back that it is Acrylicus Fakus ... clubbed to death in the Antarctic ... those poor little baby Acryicus Fakuses ...}
How should we look after it?
Acrylic is quite robust in the wash though it often pills.  Avoid heat in drying - don't iron it.
Other Concerns
Fire - Acrylic burns like plastic (gives off nasty fumes and goes to hot melted stuff that'll stick to you).  There is Modacrylic - modified to be fire retardant but that process involves more forms of vinyl that are hazardous.
Cancer - acrylic fabrics may cause cancer!  Those strange words above sure look scary to me and vinyl cyanide is a carcinogen and mutagen.  Not good for people working where it is made and possibly not good to live with.
Pollution from washing - acrylic fabric releases lots of tiny synthetic particles when washed - our washing water often ends up in the oceans ... see "Concerns" towards the end of this wikipedia article
Recycling / Repurposing 
When your acrylic garment gets too shabby to wear even around the house, there are things you can do to keep it from land-fill and here are some ideas.  The better parts could be made into toys, or clothes for dolls.  Chop it into small bits and use as 'stuffing' (very useful for draught stoppers / door-snakes).  I wouldn't recommend using it as a polishing cloth as acrylic tends to scratch but it might make good cleaning cloths, or cut into strips and use to tie up unruly plants in the garden.
What happens to it when it does go to land-fill? - the Grave
It's plastic, not readily biodegradable.

Alpaca
What is it?

A natural fibre from the alpaca, a camelid from Sth America, scientific name Vicugna pacos, bred for thousands of years for their fibre and meat, there are no known wild alpacas.  There are 2 types - Huacaya and Suri, the Suri look like they have dreadlocks, or like Dougal from the Magic Roundabout only with long legs and a long neck ...
Suri Alpaca 


Dougal












Environmental footprint
What is the environmental impact of alpacas?  Well, they have padded feet rather than hard hooves, they require less food than most animals of their size, are said not to damage root systems ... so all that sounds better for the environment than sheep.  Fly strike is not an issue, so no mulesing (much better than sheep).  Interesting animals, they use a communal dung pile where they do not graze and this behaviour tends to limit the spread of internal parasites.  They have a 3-chambered stomach and chew cud ... so they get maximum nutrients from low quality food. Gestation on average is 11.5 months (wow!) with one baby (rarely twins), they can live to 20 yrs.  More info on Alpacas in Australia here
Shearing
Alpacas are shorn once a year, using the same electric shears as for sheep.  Alpacas can kick and spit so in Australia they are usually lain on their sides on the ground or on a table (better for the shearer's back!) with their legs tethered ... known spitters might get a sock over their noses.  All that sounds unpleasant but most animals go into a sort of trance while being shorn - the submission of a prey species?  or perhaps it tickles?
Processing
It seems that a lot of the alpaca produced in Australia is sold to hand spinners or as specialty yarn to crafts people for knitting and weaving.  There are a small number of mills that will process alpaca fleece.  Alpaca is not greasy like sheep's wool,  so it is easier and takes less water & detergent to clean.
Commercial mills have heavy machinery so energy use is a consideration - home spinners run on cups of tea and ginger-nut biscuits.
Alpaca can be dyed with the same dyestuffs as sheep's wool (protein dyes) but Alpacas came in some really gorgeous natural colours - from soft greys through lovely gingers to strong blacks.
Baby Alpaca - we often see this on yarn labels - it doesn't actually relate to the age of the animal.  It means that the alpaca fibre is 21 - 23 microns - fine and soft.
What is it used for?  Where will we find it in our wardrobes?
Mostly we find alpaca in the yarn store and it is lovely to knit with.  You might also find garments made of alpaca, mostly in craft-shops & speciality stores.  Not all that yarn or fabric will be from Australia alpacas - much of it comes from Sth America.
Notes for fellow crafters:  alpaca yarn behaves differently to sheep's wool, it has beautiful drape but doesn't have the same 'return' after stretching.  It is lovely for loose fitting garments and for shawls and scarves (where you can enjoy the soft handle) but alpaca is not so good when a snug fit is required.  Unless treated (label will say machine-wash) it will felt, full, shrink (all basically the same thing) but the scales are small so it takes longer than sheep's wool.
How should we look after it?
Knitwear should be stored folded - not hanging.  Gentle wash, preferably by hand, in luke warm water with very little soap (yellow laundry soap is best) do not rub, support garment when lifting it from the water.  Rinse well.  Pop into an old pillow-case and knot the top and spin dry.  Never tumble dry.  If you do not have a gentle spin dryer you can roll garment in dry towels and press out the excess water.  Dry laid flat on clean dry towels away from direct sunshine.  It shouldn't need ironing.
Burning
Like wool, alpaca burns slowly and will self extinguish if direct flame is removed.  There is little smoke but it smells like burnt hair (because that's what it is).
What happens to it when it does go to land-fill? - the Grave
It is natural and will break down.

Angora
What is it?

A natural fibre (fluff) from certain breeds of rabbit.  There are English, French and German or Giant - sounds like the beginning of a bad joke!
apparently there is a rabbit in there!
Environmental paw-print
If you've ever kept a pet rabbit you know that they are quite cheap to maintain.  Feral rabbits are a problem in Australia but I doubt a fluffy angora rabbit would last long in the wild here.
Processing 
OK - this is the concern ... in 2013 PETA released a video showing dreadful treatment of angoras in China.  At the time 90% of commercial angora fibre came from China.  Apparently the problem starts with the breed of Angora ... seems that it was a bad joke after all!   This blog article explains things rather well but I'll try to do a 'Readers' Digest version' here.
The English and French angora rabbits shed their coats and the fibre is harvested by gently combing out the old fluff as the new coat grows in.  "A time consuming process, best done over several days" ...  I think people in Australia usually keep these breeds as pets and to use the fluff for their own hand spinning.  The German or Giant angora doesn't shed and needs to be shorn - most commercial angora comes from this breed.  Now I'm not going to watch that PETA video but apparently it showed rabbits being plucked like chickens and claims they were kept in filthy cages.  Perhaps PETA found a rogue angora farmer because it doesn't really make sense to me - angora is expensive fibre, you would want to keep your rabbits (and their fluff) nice and clean.  This breed should be shorn every 3 months, they are productive animals, why would anyone terrorise, hurt or damage a good source of income.

A just shorn angora bunny
Angora rabbits can and should be shorn without hurting them ... however, it is impossible not to laugh at a freshly shorn angora.

What is it used for?  Where will we find it in our wardrobes?
Angora is a lovely luxury fibre; it is (and should be) expensive.  Angora is actually finer and softer than cashmere!  We find it in knitting yarn and occasionally in garments.  If you are concerned about those PETA claims it might be difficult to avoid Chinese angora in ready-made clothing (though price might be a guide).  There are Australian and humane suppliers of angora fluff for hand-spinning and angora yarn for knitting.
Note:  because angora has a short staple and because it is expensive, it is usually blended with other fibres.

Personally, I still have dreams of owning a few angora rabbits and using their fluff to spin enough yarn to knit myself a classic 1950s style twin set.
How should we look after it?
Angora is delicate - you don't want it to shed all the soft fluff.   In the past, people put their angora knitwear in the refrigerator.  Not sure I would do that - but I would store folded, not hanging.  Gentle hand wash, in luke warm water with very little soap (yellow laundry soap is best) never rub, support garment when lifting it from the water.  Rinse well.  Roll garment in dry towels and press out the excess water.  Dry laid flat on clean dry towels away from direct sunshine.  Don't iron.
What happens to it when it does go to land-fill? - the Grave
Angora is so expensive I'm not sure I want to think about this ... but it is natural and will break down.

Art Silk - artificial silk - an early name for Rayon and an example of clever marketing ... I'm not sure if the Art Silk of the 1920s was what we now call Acetate or another form of Rayon.


Well - I've only done the A's and this post is already really long ... so I'll leave it here and get started on the fibres that start with B for the next post.

Thursday, 11 February 2016

Petite Blythe Dolls - there are now 14 !

 A little Dolly Story post today ... because this parcel arrived ...

"Eeeps - do be careful up there Bird!"
Julia: "Yep, red hair just like mine - let's get you outta there."
The first out of the big cardboard box was a red-head ... Zucchini Flower, Julia and Petal rushed to meet her.


A few things to note during the de-boxing - 
her feet were tied with ribbon!  so much nicer than wire.








And in the bag with her stand was a Blythe Coin? 
Eventually I figured out that this wasn't a bribe or special prize - but a weight for the stand - this little petite has a rather heavy costume.


















Because - she is a squirrel.
Takara released "Squiggly Squirrel" in February 2008 - already 8 years old

I'm calling her  
Cecilia 'Squiggle' Ècureuil

Cecilia because it is the most sibilant name I can think of, Squiggle after the Wendy Boston squirrel I have had since I was a bub and Ècureuil because that is French for squirrel and a word I find completely unpronounceable.




Love Cecilia's dark eyes & red hair and that outfit is hilariously cute - I even love the tail which reminds me of a prickly pear - only non-prickly!

Julia: "Now you are being silly Zucci - Cecilia's tail is not a beard!"













Meanwhile: little Margaret was talking to someone through the plastic window of her packaging ...
"Don't hurt yourself breaking that plastic - we'll get Bird to help you."









"See, Bird is really good at this sort of thing."  

























And I'll interrupt the little 'uns here - This doll is a 'Totally Tartan' released by Takara in September 2003, PBL-22, quite an early petite. 
And despite plastic wrapped tight about her arms (it was difficult to remove) the black trim on her dress has stained her shoulders.  These things happen - even when NFRB these dolls can deteriorate - plastic is never completely stable.
 Personally I don't mind, in fact, those stained shoulders helped me find her name ... Fenella MacTavish.  Fenella means 'white shoulders' - and MacTavish because it sounds like swirling tartan & bagpipes with haggis.

Back to the Little 'uns now -


Fenella: "Hello but I'm sorrry you'rre all a blurrr to me - I'm rrreally short sighted ..."

Bird: "Do you need these?"


 Fenella: "Och aye, that's much betterrr."

Bird: "Here, you had best have your handbag too ...   Now, let me introduce you to Margaret and Vivien ... "




And we'll leave the girls to their introductions while I show you some of her stock outfit.  She came with a petticoat, dress, red jacket, handbag and glasses - the boots are painted on.
I love the way the dress is cut-away at the back to reveal the red lace frills of the petticoat - it also has red bead 'buttons' at the back. 








And here is a portrait of little Fenella MacTavish

Meanwhile:  Hilda could hear faint meowing ...
"Bird, Look!  there is another box in here!"

 De-boxing ensued and Wilhelmina was delighted to see a girl with 'fantasy hair' ...

Interrupting again - she is a 'Feline Fancy' another Takara release from 2003 - this time from December.  And these petites are notorious for staining from their black outfit ... again there was a lot of hard-to-remove plastic but there is still staining, mostly on her shoulders and some stripes to her pretty green hair. 
 

 

Again I'm not worried about it - was expecting this staining - and again, it has inspired her name.  

Because she is a tabby cat I'm calling her Tabitha d'Khat.  Khat is the name of the very clever Siamese cat in a favourite childrens' book - 'Midnite' by Randolf Stow.  

 


Although it caused staining I rather like her outfit - the little dress and helmet are black velvet - decorated with silver stars on chains and the dress has petite embroidered across the front - the boots are painted on.  I also really love her pursed up little smile - just like my daughter's when she was very little - I called it her 'triangular smile'. 

Now for some group photos - the 3 new girls:
Tabitha d'Khat, Fenella MacTavish & Cecilia 'Squiggle' Ècureuil



The Red-Heads










Petal d'Fleur (Lily Wild), Zucchini Flower (Muchuahua Zukin), Cecilia 'Squiggle' Ècureuil & Julia (LPS Lemons 'n' Honey)

The Fantasy Hair Girls:

Tabitha was worried: "Is she ill?"
Chloe: "Nah! Viccy is just a baby, she is always needing a nap."
Wil to Viccy: "Would you like a glass of milk?"

They are - Victoria Amelia (Pajama Party keychain version), Tabitha d'Khat, Chloe (Clionetti) and Wilhelmina Blue (a customised 'Spirit & Spice).



Perhaps I have a 'thing' for petites with green eyes & red lippy?

Vivien Lee is a Rosie Red keychain version - so not sleepy eyes and as you can see, her eyelashes are quite different, her lips are also slightly larger, Tabitha's lips are darker and look a bit smaller even than Fenella's ... giving her that 'triangular smile'. 


 And to end this post - a group photo with all 14 of the little 'uns - 12 Takara Petites, 2 LPS and 1 LPS on an Obitsu 11cm body.  I like the number 14 - perhaps this is now my complete collection of petites or perhaps this is just ...
The Class of 2016? 

Monday, 25 May 2015

The Smallest Room of the Dolls' House is Finished

My cabinet dolls' house has been an on-going project for nearly 30yrs and this is the first room that I am declaring - Finished - Done - Complete.  It is the smallest room.


The dolls' house was started for my daughter but she quickly dis-owned it and over the years, many things that we could not afford in the renovations of our actual house (or that were simply too grandiose) I did in the mini house.

Victorian era prettily painted bathroom fittings were one of those things - indeed in the full-scale house there isn't even enough space to have a bathtub!  But the bathroom set was one of the first things I bought for the dolls' house... I painted all the flowers on about 12yrs ago


cosmetic bottles made of beads
The doll's house bathroom has marble tiled floor, fancy tiles (I painted those flowers too!) and a view of Pont Alexandre III  out the window.  Well, every house should have a view of a Parisian bridge from the bathroom window!! 





Some things I made myself.  The light-fitting is Fimo, towels & face cloth sewn from a stretch toweling baby onesie, lots of beads...
towels sewn from baby-suit


Enjoying a sense of closure here - just so long as I don't think about the other 8 rooms!

Saturday, 24 January 2015

A Sewing Space of My Own Again

We spent the first few weeks of this year sorting, de-stashing, rearranging and I once again have a sewing / creating space ...
It is cozy rather than spacious but I've natural light and access to all my machines and a little ironing space / cutting table ...  Also ... I can now find things again.

So far I've made 6yr old grand-daughter a Sun-dress

Had fun with the 2 sizes of this print and the pale green really suits my GD.  

However, I was really glad I checked the bodice before I sewed it up - it would've nearly fitted me!  Added some tucks (had to remove 7cm - 2.8" in width)  then we went to All Buttons Great & Small (love that shop!) and got buttons to match the fabric.
The pattern looks recent though I found it 2nd hand - Simplicity 2994.

Grandson loves buttons too ... he really liked the bow-tie buttons and we decided one would look OK on the hat I made him last year (a fabric 'spy' hat or Humphrey Bogart hat) - especially if we also put some feathers there ...








 Back home we got out the box of feathers and he chose this collection ... a partial red-dyed chicken feather, a tuft of white ostrich, a tan brown chicken feather that curves the wrong way and a spotty guinea fowl feather ....  I must say that all together they look really cool.

I'm also making daughter a race-day hat -

 

 Well it isn't going to look like that - though I really like that wind-swept look.  I blocked that very old felt (a failed hat) it'll be the base / the foundation ... covered with fabric and lots of frou-frou.

 And here is the collection of fabric & flowers & frou-frou sitting on the dress

Now, this might be one of the cheapest hats ever - the felt & wire were an old millinery failure, the fabrics & veiling were 'gleaned' from the rubbish bins at Tafe, some of the flowers were gifted, some bought about 30yrs ago.  The only 'new-buy' for this hat was the blue bell shaped flowers ($2.50 for the bunch). 

So happy to be able to make something from all the stash that I can now find with ease following the great big tidy-up.  And perhaps an advert for never throwing stuff out ???   though 30yrs maturation in stash could be seen as a little excessive.
Of course, when 'gleaning' from bins you find that trash sometimes needs a little TLC to restore to 'Treasure'. 
 

A bit of steam will restore a battered silk rose -




Careful ironing can restore old veiling -



The finished hat (shown on an old 'head' shape that has no hair!)


Tuesday, 18 November 2014

Mending an Hand-Knit

One of the easiest and most rewarding things to mend is that lovely old hand-knit.  Sometimes the garment has sentimental value and mending a hand-knit can give you a lovely feeling of connection with the original knitter.   They are also quite easy to mend ...

Recently I mended this hand-knit jumper / sweater ... it really has had a life!  All those safety pins mark holes or areas of weakened yarn, about to become a hole.  There was a huge laddered area on one sleeve and some of the seams had gone.  (I must also apologise for the photos showing this jumper as all sorts of shades of green - different light at different times of the day and my having to use a phone camera - my digital one died!)

Re-sewing up seams is easy enough - use mattress stitch.  Sometimes the trickiest part of mending an old hand-knit is finding new yarn to match the old.  Going for a thinner yarn is always a good idea - I used a lace weight variegated yarn (Schoppel-Wolle) selecting the parts where the green was almost the same shade.


Sewing up the under-arms again - and in this photo you can see some old mends done by someone else a long time ago.

 I left one of those old mends & strengthened it but re-did the other - and this photo shows the front of the jumper with all mends and strengthening done.  This is pre-washing - blocking and some of those specks of paint didn't come out with a simple wash.

Such an old, much worn and loved knit will never look brand new again - but it can be given many more years of usefulness.


Here is how to mend an area that has gone to ladders.

First - catch all the stitches at the top and bottom to stop them laddering further.  Putting them onto safety pins works well -

Now re-knit up those ladders - and this is the same technique you use if you've dropped a stitch while hand-knitting.

Take one of those stitches from the bottom of the area onto a crochet hook and thinking of those loose strands as rungs on a ladder, work them up, one rung at a time, taking care to get the 'rungs' in the correct order. 

In case you are wondering - that isn't even an official crochet hook.  Everyone under the age of 12 seems to be making "Loom Bands" these days and most bags of those little elastic bands come with a hook ...

When re-knitting up a ladder you are working a sort of chain stitch - hook goes through the loop of the stitch, hold in front of the lowest 'rung', catch rung and pull it through loop - and it becomes your new loop, hold it in front of the next rung ... ...  repeat till you get to the top.  Where you will need a sewing needle and matching yarn to stitch together the stitch / loop from your ladder and the corresponding stitch at the top of the area being mended.

Most of these laddered areas start from a hole and you will probably find some broken yarn somewhere in the middle ... sewing needle & yarn will be needed there.
This photo shows the mend pre-washing







And now, after a wash ... a few more washes and I think the mend might be practically invisible.